PARTICIPANT / Mwangi Hutter

  • Name Mwangi Hutter
  • Country Germany
  • Vocation Not Available
  • Education Not Available
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Mwangi Hutter,  Kunsthalle Mannheim, Germany, 2019, p.50 – 59, postcolonial and hybrid identity in the art of Mwangi Hutter by Sebastian Baden,  p. 60 – 68, Black, Red, Gold? – The journey towards a singular duality by Negarra A. Kudumu

INTRUDERS. Ingrid Mwang Robert Hutter, Verlag für moderne Kunst, Nürnberg, Germany / Goethe-Institute Nairobi, Kenya, printed in Genova, Italy, 2012, p. 8-13, Intrusion by Mwangi Hutter,   p. 64-69, Today, and Always, I Embrace your Pain, by N’Goné_Fall, p. 70-75, Thou Shalt (Not) Trespass by Bonaventure Soh Bejeng Ndikung, p. 76-79, Homeland Insecurity, by Richard Elliott

Along the Horizon, published by Il Trifoglio Nero Genova, Italy, 2008, Beyond the Mirror by Simon Njami, This Place is Here by Mwangi Hutter

Your Own Soul. Ingrid Mwangi, Stadtgalerie Saarbrücken / Kehrer Verlag Heidelberg, Germany, 2003, p. 32 – 41, Art is the Message by Horst Gerhard Haberl, p. 42-49, Beyond Wounds and Scars. The multiple worlds of Ingrid Mwangi by Jan Hoet & Ann Demeester, p 50-65, The Other State in the Sense of Reinterpretation or “The River of Thought Takes the Form of Skin?” by Gislind Nabakowski

Man’s world – Man’s fantasy. Robert Hutter, Stadtgalerie Saarbrücken, Germany, 1998


The Politics and Poetics of Mwangi Hutter’s One Artist/Two Body Construct by Brett M. Van Hoesen, NKA Journal of Contemporary African Art No. 44, May 2019, p. 108-119

The Gifts of Tony Podesta, American University Museum at the Katzen Arts Center, Washington DC, USA, 2019, p.48-55,

GLOBAL BLACK CONSCIOUSNESS, Nka Journal of Contemporary African Art, DUKE University Press, November 2018, USA, p.42-43

Pfalzpreis für Bildende Kunst 2018, Pfalzgalerie Kaiserslautern, Germany, 2018

In the Cut – Der männliche Körper in der Feministischen Kunst, Kerber Verlag, Germany, 2018


EXPERIMENTELLE, Förderverein für Kultur und Heimatgeschichte, Gottmadingen, Germany, 2018

Afriques Capitales: Capital Africas, Verlag: KEHRER Heidelberg, Germany 2017

EL IRIS DE LUCY: ARTISTAS AFRICANAS CONTEMPORÁNEAS, Verlag: Centro Atlántico de Arte Moderno – CAAM, Las Palmas de Gran Canaria, Spain 2017

An Age Of Our Own Making, Images Exhibition Series in Holbæk, Roskilde and Copenhagen, Denmark, The Green Box, Kunst Editionen, Berlin, 2016, p.106

Dakar – Martigny. Hommage à la Biennale d’art contemporain, Art-Ray éditions,  le Manoir de la Ville de Martigny, Switzerland, 2016, p.106 -109

Künstlerpaare: 1 + 1 = 1, Kunstverein Wilhelmshöhe, Kraft Druck GmbH, Ettlingen, Germany, 2016, p.46-49

Kabbo Ka Muwala – The Girl’s Basket. Migration and Mobility in Contemporary Art in Southern and Eastern Africa, National Gallery Zimbabwe, / Makerere Art Gallery Uganda, / Städtische Galerie Bremen, Germany, Revolver Publishing, Berlin , Germany 2016, p.168-169

Havana Biennial. Between the idea and the experience, Centro de Arte Contemporáneo Wilfredo Lam y Artecubano Ediciones, Havana, Cuba, Maretti Editore, 2015, p.214-215

STADT / BILD. Image of a City. A reader, Berlinische Galerie, Deutsche Bank KunstHalle, KW Institute for Contemporary Art, Nationalgalerie – Staatliche Museen zu Berlin, Verbrecher Verlag, Berlin, Germany, 2015, p.77-78

Giving Contours To Shadows, Neuer Berliner Kunstverein, SAVVY Contemporary, Berlin, Verlag der Buchhandlung Walther König, Cologne, Germany, 2015, p.72

Unerasable Memories – A Historic Look at the Videobrasil CollectionSesc São Paulo, Brasil, 2014, p.238 – 249

Delta-Beben, Regionale 2014, Wilhelm-Hack-Museum and Kunstverein Ludwigshafen, Germany, 2014, p.84-85

WHERE WE´RE AT! Other Voices on Gender, SILVANA EDITORIALE & BOZAR BOOKS, BOZAR Center for Fine Arts, Brussels, Belgium,

2014, p.95/121-123

RE.ACT FEMINISM. a performing archive, Verlag für moderne Kunst, Nürnberg, Germany, 2014, p. 144

THE DIVINE COMEDY. Heaven, Hell, Purgatory Revisited by Contemporary African Artists, Museum für Moderne Kunst – MMK, Frankfurt am Main, Kerber Verlag, Germany, 2014, p.309, 346

Earth Matters: Land as Material and Metaphor in the Arts of Africa, National Museum of African Art, Smithsonian Institution, Washington DC and The Monacelli Press,  New York, USA, 2013, p.145,173,174

VISIONS. An Atmosphere of Change, MARTa Herford, Hatje Cantz Verlag, Ostfildern, Germany, 2013, p.67/85

Decolonizing the ‘Cold War‘, BE.BOP 2013. Black Europe Body Politics Berlin, Germany, p.18

Women Artists, second edition, A Tiny Folio Abbeville Press Publishers, New York London / National Museum of Women in the Arts, Washington DC, USA, 2010, p.306

Changing Perspectives. Dealing with Globalisation in the Presentation and Collection of Contemporary Art, KIT Publishers, Amsterdam, Netherlands, 2012, p. 103/151

40+10. 2001- 2010, 50 Jahre Kunstverein Ingolstadt, Kunstverein Ingolstadt e.V., Germany, 2011, p. 56-57

Possible Cities. Africa in Photography and Video, Cantor Fitzgerald Gallery, Haverford College, PA, USA 2011, p. 5-6/p. 34-37

Africa. Objetos y Sujetos, Cajastur, Oviedo, Spain, 2010, p. 111

A Collective Diary. An African Contemporary Journey, Herzliya Museum of Contemporary Art, Israel, 2010, p. 58-61

Rutas De Libertad. 500 anos de travesia, Editorial Pontificia Universidad Javeriana, Bogota, Columbia, 2010, p. 397,405

Rebelle. Art & Feminism 1969-2009, Museum voor Moderne Kunst Arnhem, Netherlands, 2009-2010, p. 206-207

GAGARIN. The Artists in their Own Words, n° 19 by GAGAVZW, Antwerp, Belgium 2009 on pages 13-22, Angel Dark by Mwangi Hutter

NY Arts Magazine, May/June issue, New York, USA 2009, Article by Richard Elliott

Dwelling Place. Taiwan International Video Art Exhibition 2008, Hong-Gah Museum, Taipei City, Taiwan, 2009, p. 49-52 (incl. DVD)

All That Is Solid Melts into Air. Five Reflections on Materialist Spirituality in Contemporary Art, MuHKA, Mechelen, Belgium, 2009, p.151

Women in the Arts. Volume 27, no. 1, National Museum of Women in the Arts, Washington DC, USA, 2009, p. 25

11th Cairo Int. Biennale 2008/2009, Cairo, Egypt, 2009, p. 338-341

Hespérides, Musée cantonal des Beaux-Arts/Lausanne, Lausanne, France, 2009, p. 36

Black Womenhood. Images, Icons, and ideologies of the African Body, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA, 2008, p. 333

Wandering. Art Taipei 2008 Year Project – Art & Tech, Taipei, Taiwan, 2008, p. 41-46

El Juego Africano De Lo Contemporáneo, Arte Contemporáneo y Energia AIE – MACUF, Spain, 2008, p. 50-63

Goth. Reality of the Departed World, Yokohama Museum of Art, Yokohama, Japan, 2008, p. 87-93 and 207-213

Angaza Afrika. African Art Now, Laurence King Publishing Ltd, London, United Kingdom, 2008, p. 214-217

Naturaleza Intervida: Reflexiones sobre la Naturaleza, el medio ambiente y nuevas tecnologías, Sevilla, Spain, 2008, p. 19

Global Feminisms. New Directions in Contemporary Art, Brooklyn Museum, New York, USA,  2007, p. 71 and 228

Ice cream. Contemporary Art in Culture, Phaidon Press, New York, USA, 2007, p. 264-267

Bamako 2007. VIIes Recontres Africans De La Photographie, Bamako, Mali, 2007, p. 177

Ultra Peau. Voyage Sensoriel, Palais de Tokyo and NIVEA, Paris, France, 2006, p.74-75

2006/Contemporary Commonwealth, Australian Centre for the Moving Image and the National Gallery of Victoria, Melbourne, Australia, 2006, p. 94-97

After Cage. 24 Collections in Motion, Bocholter Brouwerijmuseum, Bocholt, Belgium, 2006, p. 59

Mankind. Story of a Wound, C.R.K.C, S.M.S.K., Leuven, Belgium. 2006, p. 28-31

SD Obervatory, IVAM Institut Valencià d‘Art Modern, Valencia, 2006, p.158-161

5th EMAP Ewha Media Art Presentation,  Ewha Art Center/Ewha Woman‘s University Garden, Seoul, Korea, 2005, section II

Collection MARTa Herford 01, MARTa Herford, Germany, 2005, p.66-67

Métissages: un alibi culturel?, PARIS, France, 2005, p. 116-119

Contemporary Art Magazine, issue no. 71, London, UK, 2005, Ingrid Mwangi by Laurie Ann Farrell

Yokohama 2005. International Triennale of Contemporary Art. Art Circus – Jumping from the Ordinary, Yokohama, Japan, 2005, p.126-127

15th Videobrasil International Electronic Art Festival. Performance, Associação Cultural Videobrasil, São Paulo, Brasil, 2005, p.136-141

International Biennale of Contemporary Art 2005. A Second Sight, National Gallery in Prague, Czech Republic, 2005, p.544-545

(my private) Heroes, MARTa Herford/ Kerber Verlag, Bielefeld, Germany, 2005, p.170 & 231

Sharjah Biennial 7. Belonging, Sharjah Art Museum / Expo Centre, Sharjah, United Arab Emirates, 2005, p. 342-354

Between Skin and Orgasm. The alchemic body, Corpus 05, Brugge/ Snoeck Publishers, Gent, Belgium 2005, p.159-163

Africa Remix. L’art contemporain d’un continent, Èditions du Centre Pomidou, Paris, France, 2005, p. 152-153

Africa Remix. Contemporary Art of a Continent, Hayward Gallery Publishing, London, UK, 2005, p. 86-87

Africultures. Métissages: un alibi culturel?, issue no. 62 > Ingrid Mwangi: identité mixte – dilemme du corps by Marie-Christine Eyene, Éditions L´Harmattan, Paris, France, 2005, p. 116 – 119

senseless. Defying the Mechanisms of Disablement > Embodiments: The body project and its media projections by Horst Gerhard Haberl Springer-Verlag Wien, Austria, 2004, p. 117-122

Afrika Remix. Zeitgenössische Kunst eines Kontinents, museum kunst palast, Düsseldorf / Hatje Cantz Verlag, Ostfildern-Ruit, Germany 2004, p.104-105

In movement. UNESCO salutes women video artists of the world, Section for Women and Gender Equality, Bureau of Strategic Planning, UNESCO, Paris, France 2004, p. 16

Espacio C, Arte Contemporáneo Camargo, 2003. Interdisciplinary international contemporary art space, Espacio C / Ayuntamiento de Camargo, Spain 2004, p.104-105

Deutsche Video-Kunst 2002-2004 / Deutsche Video-Installations-Kunst 2002-2004 / MEDIEN Raum-Wettbewerb 2004, Skulpturenmuseum Glaskasten Marl, Germany 2004, p. 73

Bamako|03, Fotografia Africana Contemporània, Centre de Cultura Contemporània de Barcelona / Diputació de Barcelona, Spain 2004, p. 40-41

Horizons. Voices from a Global Africa, Museums of World Culture, Göteburg, Sweden, 2004, p. 58-59

Msanii, The magazine for the arts from Rahimtulla Museum of Modern Art, issue no. 5, Nairobi, Kenya, 2003, p. 11-13 > Ingrid Mwangi: Pioneer by Thomas Omondi,

Looking Both Ways. Art of the Contemporary African Diaspora, Museum for African Art, New York/ Snoeck Publishers, Gent, Belgium 2003, p.144-151, Memory in the Skin: The Work of Ingrid Mwangi by Simon Njami

A Fiction of Authenticity. Contemporary Africa Abroad, Contemporary Art Museum St. Louis, Missouri USA 2003, p. 27-30/114-117

Ves Rencontres de la Photographie Africaine, Bamako 2003. Rites sacrés / Rites profanes, Éditions Eric Koehler, Paris, France 2003, p. 62-63

Sexuality and Death. Aids in Contemporary African Art, Zeitgenössische Afrikanische Kunst, Band 3, Rautenstrauch-Joest-Museum, Cologne, Germany 2003, p. 60-61

Parures de tête. Hairstyles and headdresses, Musée Dapper, Paris, France 2003, p. 337-349, Art is the message by Horst Gerhard Haberl, My Hair by Ingrid Mwangi

Transferts, Africalia vzw/asbl, Brussels, Belgium 2003, p.132-137

Video-Zone. The 1st International Video-Art Biennial in Israel, The Center for Contemporary Art, Tel Aviv, Israel 2002, p. 87

25ª Bienal de São Paulo, Iconografias Metropolitanas. Países [Countries], Fundação Bienal de São Paulo, Brasil 2002, p. 253

SchwarzWeiss. Zeitweise, MARTa Herford, Germany 2002, p.157

Tirana Biennale 1, Giancarlo Politi Editore, Milan, Italy 2001, p.296-297

Blick-wechsel. Afrikanische Videokunst, Institute für Auslandsbeziehungen e.V., Bonn, Germany 2000, p.10-15

Associated Programmes