Project

Chinese artist Han Bing (1974—) has long been preoccupied with the human costs and consequences of the contemporary obsession with consumption as a dominant standard of value in so-called "modern society." His performative interventions in public space, and multimedia performance installations, as well as photography, video, painting and sculpture works, frequently engage questions revolving around the larger fallout of China's "modernisation" as a metonym for existential, social and environmental predicaments facing human societies in the throes and thrall of "development" everywhere.