About KHOJ

International Artists' Association is an artist led, alternative space for experimentation and international exchange based in India.

KHOJ Studios, Delhi

Part of the global Triangle Arts Trust, KHOJ sees its role as an incubator for art and ideas, artistic exchange and dialogue in the visual arts. Through our programming we aim to assist and develop, forms of art such as media art, performance, video, environmental, public and community based art, sound and other experimental modes of cultural production.

As a deliberate policy our core invitees have been from South Asia which has resulted in the development of an active network of artists in the region. KHOJ seeks to promote cross cultural exchange within the visual practices of the 'Global South'. Since our inception in 1997 artists from Iran, Egypt, Cuba, Argentina, Brazil, Lebanon, Indonesia, Singapore, Thailand, Japan, Mainland China, Taiwan and several countries in Africa, have participated in our workshops and residencies.

 

Aims and Objectives:

 

KHOJ International Artists Association was established in 1997 and is a registered society under the Indian Societies Registration Act, 1860.

Programmes @ KHOJ

KHOJ conducts a series of diverse programs for artists and creative practitioners across a variety of media and disciplines.

International Workshops

An annual two week workshop based on the Triangle model was organised by KHOJ Delhi from 1997-2001. The workshop is a cooperative venture organized by artists for artists bringing over 20 artists from diverse cultures and backgrounds to work together to exchange ideas, encounter varied methods and approaches in art making and to strike out in new and experimental directions.

After five successful annual workshops in Modinagar, New Delhi, the KHOJ workshop metamorphosed into a nomad, moving to Mysore (2002), Bangalore (2003), Mumbai (2005) and Kolkata (2006) with working groups of artists in ach location.

 

International Residencies

The KHOJ International Residency Programme was initiated by KHOJ Delhi in 2000. International residencies are organised on a regular basis at the KHOJ Studio building in Delhi which was acquired in November 2002. The residencies function as art laboratories where 4-6 artists from diverse cultural back grounds work together for a period of 4-6 weeks.

 

Peers: The Student Residency


One of the most significant programs at KHOJ studios is PEERS, a 4-week residency programme for recent graduates + masters students from art colleges across India .

 

Associate Residencies


These are special project oriented programs that KHOJ studios, Delhi situates between its planned programs.

 

 

Community based Art Programme


KHOJ Delhi actively programs a series of community-based art projects through the year in and around Khirkee village where the Studios are situated.

 

KHOJ organises artists' presentations, film screenings and symposia on an ongoing basis.

Please see Funding details for the above.

International Workshops

The KHOJ International workshops are annual art laboratories. Based on the Triangle model, the workshop generates an informal and spontaneous learning atmosphere through an exchange of ideas and practices. The workshop is a cooperative venture organized by artists for artists. Artists from diverse cultural back grounds exchange ideas, encounter varied methods and approaches of art practice and strike out in new and experimental directions.

10-12 Indian artists from all over India work along side a similar number of International artists. We endeavor to maintain a balanced group of painters, sculptors, video, digital and mixed media artists keeping in mind a balance of genders. The workshop model is not intended to be didactic. Sharing, interaction and learning is unstructured and takes place in an informal spontaneous atmosphere. Planned as a hands on workshop, everybody is requested/expected to chip in and share in the organization, distribution of material, studio space, exhibition and other activities.

The KHOJ workshops were an annual event in Delhi from 1997- 2001. The workshops have since moved to other cities. Each workshop has been owned by a local group of artists who have either been part of an earlier KHOJ workshop or believe that establishing such a forum is important to their local context.

The International artists' workshop has been organised by artists in Mysore (2002), Bangalore ( 2003), Mumbai ( 2005) and Kolkata( 2006).

A call for applications is put out by the respective working group when a workshop is being planned.

View a list of past International Workshops

Open Day
An Open Studio Day is organized at the end of the workshop which is open to all. This helps to channelize the educational and socially interactive possibilities of this workshop. Local artists, students &the general public can meet the artists and discuss their work with them.

Outreach
There are discussions and slide presentations in the evenings as the artists are requested to bring slides/other presentation materials of their work and those of their colleagues, to share with the other participants in an interactive spirit. The participating artists may choose to engage in any form of outreach in the community where the workshop is situated as well as give lectures and presentations in art schools and colleges.

Documentation
We provide documentation for educational and international outreach programmes by producing a quality catalogue, video documentation and other useful material.


 

International Residencies

The KHOJ International Residency Programme was initiated by KHOJ Delhi in 2000. International residencies are organized on a regular basis at the KHOJ Studio building in Delhi which was acquired in November 2002.

The residencies function as art laboratories offering artists the opportunity to live and work in Delhi and interact with local artists; to expand their network internationally and to experience a climate of cultural diversity.

The International Residencies have evolved over 2004-06 into a specific thematic framework. The Residencies at KHOJ have deliberately focused on marginalized or nascent areas of contemporary art practice in India.. The programming is further structured so each genre is allowed an appreciable time within which to come to fruition. As a consequence each genre is made a consistent part of the program for at least 3-4 years.

KHOJ organizes up to 3 international residencies a year which are normally along the following time lines:

  • Mid Feb - End March
  • Mid August - End Sept
  • Beg Nov- Mid Dec

Each residency is 4- 6 weeks long and culminates in an Open Studio Day for public viewing. Three to four international artists work alongside one - two Indian artists at the KHOJ studios in Khirkee village.

The artists live together in the KHOJ Hostel in south Delhi which is about 4 kms from the KHOJ studios.

Participation is usually by invitation, however applications are welcome.

Please apply here.

 

International Residency Programme Archive

 

Peers: The Student Residency

The Peers Residency programme is aimed at providing a discursive space for emerging art students in India .

It is held from Mid May - Mid June each year. 5 art graduates and a young art critic are selected from various art institutions across India.

Artists are provided with shared accommodation at the KHOJ Hostel and a studio each at the KHOJ studios. Return airfare/trainfare and a modest honorarium to cover food, local transportation and material costs is provided for each artist.

Applications are invited from Dec - March. Last date for applications Feb30.

The PEERS programme is supported by The India Foundation for the Arts (IFA)

 

PEERS: Student Residency Archive

 

Associate Residencies

Associate Residencies are shorter self-directed projects where the artist /artists are free to experiment and explore new directions in the process and production of their project. Associate Residencies allow greater flexibility to both the artists in terms of time and to KHOJ in that proposals may be structured into the program as and when they are submitted through the year.

The program is open to local artists and plays a vital role in keeping the spontaneity of KHOJ alive. They are normally situated between our planned programs ie in the months of January, April and October .

Artists looking for a month long residency to execute their own personal projects and /or with exciting project ideas that they would like to undertake at KHOJ are invited to submit proposals to interact@khojworkshop.org. 

 

Associate Residency Project Archive

critics essay- colouring outside the lines

Critic's Report : Colouring Outside the Lines: by Rahul Bhattacharya

The workshop was conceived and coordinated by Saba Qizilbash, an artist, and art educator with a long running engagement in community arts programming, in collaboration with KHOJ International Artist Association, which has over the years shown emerged as a key platform for promoting experimentation and exchange in contemporary art practice. Saba Qizilbash wants to develop ‘Colouring Outside the Lines’ as a model visual arts workshop series designed to pedagogically intervene, and introduce inter-cultural conflict management strategies between ‘demographies’ that have had a history of shared culture, yet live in a conflict torn present, which have resulted in minimum inter-cultural accessibility and creative exchange.

The first workshop of the series was framed as a weeklong collaborative residency, which brought together art students from Srinagar and Lahore to work on collaborative art projects at the Khoj Studios in Delhi. The workshop attempted to include artists from Kashmir within the frame of current processes of peace and creative exchange between the artist communities of Delhi and Lahore, and engage them in a progressive dialogue on contemporary issues in art, media created myths, stereotypes and preconceived images of the ‘other’. In the course of the workshop, issues surrounding identity, culture, demarcations and freedom were raised, hotly debated and eventually left open ended. Seven students from the School of Visual Arts, BNU, Lahore, were paired with five recent graduates of Institute of Fine Arts and Music, Srinagar. The two groups of students spent one week in Delhi sharing ideas, meals and living spaces.

As a workshop orientated towards the partnering of young art student communities through first hand communication and exchange, a critical evaluation of the workshop necessitates that one engages with the pedagogical value of the intervention rather than be limited by the lure of judging the finished art works that were displayed on the open day. As a pedagogical intervention the workshop faced certain critical challenges. The two groups of students came from two very different kinds of art school backgrounds, and from very different age groups.

The students from BNU Lahore were second year undergraduate students of a very elitist art college, exposed to a very contemporary definition of artistic practice, at an early stage of their art education they have been exposed to ‘new media art’, and have begun to understand art almost entirely as a ‘play’ within contextual frameworks. The students from Kashmir on the other hand were post- graduate students exposed almost entirely to the traditional academic definition of artistic practice, and their art education has been centered on sharpening their skills in old media. It soon became evident that more than the cultural differences regional lines; the lines of differences were much sharper in the realms of class, exposure, and understanding of art.

From day one the differences were played out. Reflective of their training, the students of Institute of Fine Arts and Music, Srinagar, showed a keen interest in making paintings, collages and similar traditional mediums, the BNU students flashed ideas involving inter-disciplinary approaches - combining film, installations and performance art. The articulation of differences finally emerged in the portfolio sharing session in which questions on originality, contextuality and appropriation were raised. The Kashmiri students questioned: “How is it your art if you have used references of ready made objects and popular images?” this question emerged as the ‘keynote’ for the pedagogical intervention of the workshop.

Though it was clear right from the onset, that an in-depth understanding of such divergent approaches was something which could not be accomplish within a short week, but the ability to accept non-traditional modes of art, as ‘art’, and acknowledgement of the older academic approach as still being relevant, was definitely a step ahead. That set the platform towards developing an orientation in working collaboratively across ‘the lines’.

However, the workshop was framed so tightly around the Indo-Pak- Kashmir issues that a narrow understanding of conflict resolution marked nearly all the artworks produced in the course of the week. A simplistic use of colour symbology and a naïve understanding conflict and conflict resolution reflected in the work produced. Somehow one gets a feeling that Saba Qizilbash imagined that the aims of intercultural conflict management could be achieved simply by putting in two groups from diverse cultures together and pushing them towards working collaboratively.

Though this modus did succeed in generating important pedagogical dialogues art practices, it generated only a superficial understanding of the specific inter-regional conflict, which was the contextual location of the workshop. One can claim that the conflict resolution is beyond the narrow definition of politics, and that it can be achieved through strong ‘people to people’ contacts, however it is also easy to generate a ‘feel good’ seeing two groups of students working together and sharing fun. A critical engagement with the ‘value’ of the pedagogical intervention will be possible only if one maps the ‘take home quotient’.

Community based Art Programme

In an attempt to connect with the larger public, KHOJ supports a sustained community arts and public art programme. KHOJ Delhi actively programs a series of community-based art projects which run through the year both in and around Khirkee village where the Studios are situated and beyond.

Over the past two years, several Indian artists have worked in the Khirkee community developing a range of projects from shop makeovers, interactive media projects to art education programmes in the local primary school.

Artists participating in the International Residency programmes have also worked with the community in a variety of ways.

KHOJ is now looking beyond the immediate vicinity of the Khirkee area to expand the possibilities of outreach. Towards this end, KHOJ will continue to actively facilitate community-based art projects .

Artists interested in developing community based/public art projects are invited to apply using our online application form

Community-based Art Projects Archive

 

 

Student Internship Programme

A relatively new initiative at KHOJ , the KHOJ Internship Program is designed to encourage art students and young creative practitioners from diverse backgrounds to develop their skills and learn by participating in various KHOJ programs. One intern is assigned to each artist during all residencies and receive an honorarium. This program extends an inclusive and informative hand to the college community at large, and provides new opportunities to college students interested in careers in the arts. In turn, Interns spread the word at their universities about KHOJ and its internship programs. The Student Internships are a vital form of audience development and outreach.

Application for the Internships may be submitted using the online application form.  

Presentations/Symposia

KHOJ organises several artists presentations and symposia at its studios .

Apart from the various presentations made by the artists participating in the international adn associate residencies, we also invite visiting international and /or Indian artists to make presentations of their work to the artists community.

'No Escape' is a forum where 2- 3 artists are invited to share 1- 2 works each with an invited audience of artists, critics and curators. This is thrown open for critical discussion and debate. The No Escape series is held as regularly as possible.

Over the past few years, other informal and formal symposia have been organised by KHOJ at KHOJ Studios and in collaboration with other institutions.

 

In-house Workshops

KHOJ , Delhi organises short inhouse projects for its working members and /or staff. These do not necessarily result in public presentations or open days. 

The light workshop organised in Dec 06 for the new working group members was one such project.

Other projects include the ZUNI black box project which was an art education project organised in collaboration with IFA , Bangalore and ZUNI, Hongkong for art teachers and artists teaching in schools.

 

In-house Workshop Archive

Funding Details

Applicants should not expect to profit financially from their stay in India, as this is a cultural development programme. Artists are encouraged to raise funding to cover their residency in New Delhi if they are able. KHOJ is committed to raise funds for artists from the Developing World and from those countries that lack funding structures.

KHOJ support to artists falls under the following catergories

Self-funded Artists:
KHOJ charges a total rent of Rs 35,000/- (US $ 800/-) for single room in the KHOJ Hostel + single studio at the KHOJ Studios for a period of 6 weeks.

Contribution towards Documentation/Open Studio Day costs US $100.00.

In addition to the above, the minimum financial requirements for an artist to live and work in Delhi for 6 weeks would be is as follows:

  • Rs 10,000/- ( US $ 250/- ) towards food and local transportation
  • Rs 15,000/-( US $400/-) towards cost of materials.
  • As per actuals - return airfare.

 

Partially Funded Artists:
KHOJ may in special cases waive Studio and/or Accommodation costs as stated above. However artists are expected to cover all other living and working costs.

The minimum financial requirements for the above for 6 weeks would be as follows:

  • Rs 10,000/- ( US $ 250/- ) towards food and local transportation
  • Rs 15,000/-( US $400/-) towards cost of materials/hire of equipment
  • As per actuals - return airfare.

 

Fully-funded:
Dependant on particular funding , KHOJ will provide

  • Return airfare( economy)
  • single studio at the KHOJ Studios and shared acccommodation at the KHOJ Hostel at no charge
  • A perdeum of Rs 25,000/- ( $ 650/-) for a period of 6 weeks .

 

How to Apply

Please use our online application form to apply for one of our programmes

OR

Send us your application by snail-mail with the following details:

  1. A one-page statement outlining the work you intend to pursue during the residency period, how the residency will benefit your artistic and career development and what you intend to accomplish.
  2. Current C.V.
  3. Images of work by email or a link to view the work online.
  4. A brief description on how to came across the KHOJ Residencies and why they are of interest to you.
  5. Contact information including telephone number and email address.
  6. Application may be submitted online or by post. Please submit postal applications to the following address:

KHOJ Studios
S-17, Khirkee Extension,
New Delhi - 110017
INDIA

KHOJ Studios, Delhi

KHOJ Delhi acquired a building in 2002, which has allowed it to provide high quality arts programming with local and international, emerging and established artists.

The KHOJ Studio building came into being in the anomaly of the urban/rural that is Khirkee village, anchoring an erstwhile tentative, fluid entity into brick and mortar. KHOJ sits on the edge of Khirkee Gaon an Urban village very close to Malviya Nagar situated in the south of Delhi, established in the 13th Century and known for its famous and stunningly beautiful Khirkee Masjid (mosque) built in 1380 AD.

About 600 years ago, this area began to take shape as a residential block as the Rajputs, (Sainis), Chauhans and Muslims began to settle in descendants of these early communities still inform the entrenched power structures in the village. The resident community is a disparate one: with low-level income groups on the one hand and upper-middle class (largely artists) on the other. There is a drama school, a professional photography studio, and professionals such as an architect and filmmakers residence in the neighborhood of KHOJ.

The KHOJ Studios host visiting curators and arts professionals from India and overseas and facilitates their access to Indian artists and arts practice. KHOJ Studios is fast becoming one of the first places people seek out to see exciting contemporary art, to meet local artists, and to measure the creative pulse of the city.

The studios double as a gallery and a viewing space for film screenings, artists presentations etc. The office supports a library of artists catalogues, books and CD's with a special focus on artists from India, South Asia (Nepal, Sri Lanka, Pakistan and Bangladesh) and Asia.

 

KHOJ Studio Facilities

The KHOJ Residency provides 4-6 weeks access to Studio facilities and equipment, which include, 5 guest studios for artists, 4 on the first floor and 1 on the ground floor for artists of all mediums to work in. All guest studios are well ventilated with large windows to allow natural light. Each floor is provided with a washroom.

We are able to provide only basic tools as hammers, saws, cutters, drill machine, screwdrivers. These are to be shared by the artists.

Technical Equipment: Artists have access to:

 


Studio and Office address

KHOJ studios, S-17, (near Sai Baba Temple)
Khirkee Village
New Delhi - 110017
email: interact@khojworkshop.org
Telephone: 65655873 / 65655874

 

 

KHOJ Artist's Hostel

The KHOJ Hostel :
3 non air-conditioned rooms are provided with attached bathrooms for the artists to live in. Accommodation may be on a single or shared (two person, same sex) basis. There is a small kitchen equipped with a gas stove, toaster, refrigerator, electric kettle, basic utensils + water dispenser, which can be used by the artists. Basic facilties like internet, television and phoneline are used on a shared basis.


Physical Address :

A 74 / A
Second floor,
South Extension Part II,
New Delhi-110049
Telephone: 26263936
Email:khojinteract@gmail.com

KHOJ Kolkata

"Eastern India has, for a long time now, been in dire need of an active platform for alternative art practices that operate outside of the gallery sphere. While such practice has existed for decades internationally and also in other parts of India, Kolkata has, despite its historically long-standing tradition of pioneering art practices and a currently hyperactive art community, not been receptive to those practising "alternative" art. Installation, performance art, video, public and community art projects, etc. that are widely practised elsewhere, struggle to find a forum in Kolkata.

KHOJ Kolkata, a local chapter of the KHOJ International Artists Association, New Delhi, was launched roughly two years ago by five local artists and theoreticians themselves engaged in alternative practice with the belief that such a platform could be created in Kolkata. The KHOJ International Workshop Kolkata 2006, co-ordinated by the contemporary artist community from Kolkata and Santiniketan, comprised of 12 international and 12 Indian artists provided ample evidence of the interest, the participation, and the excitement that such practice can generate."

 

Dr. Paula Sengupta
Secretary, Khoj Kolkata
(Lecturer, Dept. of Graphics (Printmaking), Rabindra Bharati University, Kolkata)

National Network

National Network

A significant marker of the success of KHOJ has been the interest expressed by artists in sites across India to develop the workshop project under the aegis of what is the KHOJ Project.

By facilitating workshops outside of Delhi i.e. in Mysore, Bangalore and Mumbai respectively, KHOJ has involved many artists at an all India level. The workshops have provided an impetus to the local scenario of the hosting city, spawning informal networks amongst the artists, throwing up new ideas about contemporary art practice and energising students and audiences alike.

What has also emerged out of activity across the country is the realisation of the possibility of facilitating and supporting a loosely structured network composed of discrete workshops/projects across the country on an ongoing basis. It is envisaged that each workshop/nodal point would further build capacity and develop its own locally engaged projects with the potential to be a catalytic point for artists in smaller cities in and around the larger city while spawning its own connections within south Asia and abroad.

These projects act as vehicles in the development of several autonomous , professional self organising groups within the country which will enliven and stimulate art practice in places that are ready for change. Intended to create a fluid alternative to the current entrenched establishment of government and the commercial institutions which today dominate the art scenario. Given the current frenzy of the art market, spaces for intellectual discourse and radical experimentation which are the strength of any culture have been even further reduced - and we believe, are therefore even more urgently required.

+++++++++++++++++++++++++++++++++++++

Desire Machine Collective @ KHOJ Guwahati

Mrignaka Madhukaillya and Sonal Jain participated in a month long residency in April 2005 at the KHOJ studio. Over several conversations and an active understanding of the way in which KHOJ functions, the idea of a project based forum in Gawahati was seeded.

The objective of the project is to create a temporary nomadic E- lab for creative practitioners on a ferry on the river Brahamaputra, the most important river in the region flowing through, China, Tibet, India, Bangladesh and into the Bay of Bengal. A site-specific event on and about the river and its network will be conceptualised.

A residency space will be created on the ferry for artists from South and Southeast Asian countries ( i.e. from Bangladesh, Nepal, Burma, South West China, Tibet, Bhutan, Thailand, Vietnam, Indonesia.) and Indian artists who have interpreted and interrogated the notion of borders in their artistic practice. It would also include artists from other countries having a special interest in the imagination of the river as it translocates between different nation states. Talks, symposia, colloquia and publications (research reports and creative publications) will be organised in the public realm to foster critical debate. The ferry space would function as a Tea bar and a gallery space for local artists.

CAMP + KHOJ ,Mumbai

Shaina Anand participated in an associate residency programme in April 2006 at the KHOJ studios.
The need for a truly alternative space within the commercialised art world in Mumbai was articulated and a lab for Critical Art and Media Practice ( CAMP) was suggested as a way forward.

The initiative proposes to

1. Analyse the slippery ground between art/ media and public culture, towards seeding a range of 'critical art and media practices' in the city. This is through seminars/ colloquiums, hands-on workshops and informal discussions about practical, technical, economic and on-the-ground strategies for this kind of practice.
2. Generate actual prototypes, engagements, 'public works' in the city that embody some of the ideas that are central to our definition of criticality: autonomy from the market, awareness of social/physical location, public participation, awareness of technological contexts, technical experimentation, peer learning.
3. Documents and quickly disseminates information from the above, such that it acts as a feedback loop that can enrich the ongoing experiment.
The above order is not always followed. That is, the actual engagements may precede the analysis, for example, to provide a more grounded understanding of the issues in question.

1 Shanti Road + KHOJ , Bangalore :

Two workshops were held in 2002 and 2003 in Mysore and Bangalore respectively with working groups of artists in Bangalore and Mysore. For a variety of reasons including lack of funding and human resource, continuity was not maintained.

However the members are keen to enliven Khoj once again. The studio space 1 Shanti Road which already runs as an alternative public space hosting visiting international artists and other exhibitions is keen to institute an international residency programme focussing on interaction with south Asia/Asia. Despite the proximity to Sri Lanka and /or Indonesia their connections with artists from the region in minimal . Over three years, KHOJ , Delhi will facilitate 2 six week long residencies in Bangalore with 3 artists each ( one south Asian, one Indian and one International) thereby developing independent networks within the region.

Key to the residencies will be outreach and interaction with students of the various art colleges in Bangalore and Mysore as also the research and inclusion of artists from adjoining States. 1 shanti road will organise a series of lectures, artists talks and presentations for a wider audience A thrust towards pubic art projects and a forum for an exchange of ideas will be taken forward.

All the 3 projects of the Khoj National Network is supported by NRTT ( Navajbai Ratan Tata Trust ).
Desire Machine Collective @ KHOJ Guwahati
is also supported by ANA (Arts Network Asia)

South Asian Network for the Arts (SANA)

Since its inception in 1997, KHOJ has worked consistently at building relationships with artists' communities within South Asia. Artists from the region have been invited to participate in the KHOJ workshops each year and have visited international workshops through out the world through the Triangle Network. Several of them were energized by the experience who together with expertise provided by KHOJ and Triangle Arts Trust set up similar initiatives in their own countries.

An integral part of our programme at KHOJ is committed towards creating partnerships with artists in South Asia/Asia. Since 2000, we have worked with Triangle arts Trust (A network of Workshops under the umbrella of the Triangle Arts Trust, which was set up by Robert Loder, and Sir Anthony Caro in 1982) to develop workshops and residencies in the region.

Our partners in South Asia are:

* VASL International Artists Workshop, Pakistan
vasl
Vasl is an artist-led initiative, which brings together local and international artists for a period of intensive exchange of ideas and art practice, based in the cities of Lahore and Karachi.


* BRITTO Arts Trust, Bangladesh
britto
Britto International Artist's Workshop is an artist-led, not for profit trust committed towards promoting exchange and dialogue between artistic communities internationally and within the region.


* THEERTHA International Artists Collective, Sri Lanka
theertha
Theertha International Artists Workshop is an autonomous, artist led initiative based in Colombo. We are committed to promoting intercultural understanding by providing an environment conducive to artistic exploration and experimentation through networkng with contemporary visual artist communities in South Asia, Africa, the Asia - Pacific rim , Europe, the Americas and other countries.


* SUTRA, Arts Centre, Nepal
sutra
SUTRA is an art group based in Kathmandu. Sutra encourages artistic expressions through performing arts, fine art, music, films, writing and other mediums to create an impulse to bring about better changes in the society through creative arts.

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Read Further about Khoj's role in South Asia ..>>
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International workshops and residency programmes have been organized by the various groups in which core invitees are from the region. This has facilitated the circulation of visual artists within the region. It has helped develop an understanding of the art of the region where little or none existed before.

The impact of the South Asian Network to some extent derives from artists groups working together for a common aim. They share experience and draw strength from each other and this contributes to holding the Network together. The energy that comes from this sharing results in educational workshops and exhibitions of work that might not otherwise happen - very often with very limited financial resources.

Now that the Network is established in the region it is possible to see some Ripples of the benefits of setting up a system of informal learning by exchange that runs alongside the formal institutions and creates a means of communication between artists both within countries and within the South Asia region.

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In 2001 KHOJ organised 'Chaos or Congruence', the first ever symposium on contemporary art with critics and curators from south Asia/Asia. On the same occasion, KHOJ invited art historian Virgina Whiles to curate Manoevering Miniatures , the first exhibition of contemporary miniature painting from Pakistan in New Delhi.

KHOJ has lead the development of a digital network between the above mentioned artist led initiatives in the region with a view to increasing accessibility both between artists and between the general public.

:-

Khoj's role in South Asia
Ripples
'Chaos or Congruence'
Manoevering Miniatures
Digital network

People @ KHOJ

KHOJ sees itself as an organic being, a network organization in continuous flux built and sustained by the passion, vision and experience of many individuals. KHOJ takes this opportunity to thank all the people who over the past 10 years have helped steer its course.

Founding Members

KHOJ 1997

Anita Dube (1997-)
Ajay Desai (1997-1998)
PS Ladi (1997-2004)
Bharti Kher (1997-)
Subodh Gupta (1997-)
Manisha Parekh (1997-)
Pooja Sood (1997-)

Working Group Members

Delhi 1998-2006

Sheila Makijani (Artist) (1998-2005)
Shukla Sawant (Artist) (1998-2005)
Subba Ghosh (Artist) (1999-2005)
Arun Kumar H.G. (Artist) (2000-)
Anjum Singh (Artist) (2000-2006)
Bula Bhattacharya (Artist) (2000-2005)
Prasanta Mukherjee (Artist) (2000-2006)
Sumedh Rajendran (2001-2006)
Kristine Michael,(Artist)(2001-)
Gigi Scaria,(Artist)(2001-)

 

Mysore/Bangalore/ Working Group 2002 / 2003

N.S. Harsha (Artist)
Suresh Jayram (Artist)
Ramesh Kalkur (Artist)
Surekha (Artist)
Raghavendra Rao (Artist)

Mumbai/ Working Group 2005

Reena Saini Kallat (Artist)
Kaushik Mukhopadhyay (Artist)
Riyaz Komu (Artist)
Shilpa Gupta (Artist)
Prajakta potnis (Artist)
Mortimer Chaterjee (Artist)
Tara Lal (Artist)

 

Kolkata / Working Group 2006

Paula Sengupta (Artist)
Anshuman Dasgupta (Art Historian)
Abhijit Gupta (Artist)
Chatrapati Dutta (Artist)
Sanchayan Ghosh (Artist)

Governing Board (2007-)

Anita Dube, founding member, Artist
Subodh Gupta, founding member, Artist
Amar Kanwar, Film maker
Bharti Kher, Founding Member, Artist
Arun Kumar, Artist
Manisha Parekh, Artist
Pooja Sood, Director Khoj
Rahul Srivastava, Social Scientist
Urvashi Butalia, Feminist Publisher

KHOJ Advisory Artists Group (2007-)

Kristine Michael,(Artist)(2001-)
Gigi Scaria,(Artist)(2001-)
Prasanta Mukherjee (Artist) (2000-2006)
Sumedh Rajendran (2001-2006)
Zuleikha Allana Chowdhry, (Theatre/Light Artist)(2006-)
Ravi Agarwal, (Artist/Activist)(2006-)
Kriti Arora (Artist)(2006-)
Ram Bali Chauhan (Artist)(2006-)
Atul Bhalla (Artist)(2006-)
Anusha Lall (Dancer/Artist)(2006-)
Sabrina (Artist)(2006-)
Asim Waqif, (Architect) (2006-)

KHOJ Crew


Aastha Chauhan , Community Arts and Editorial Coordinator
Arun Chetri, Studio + Hostel Supervisor
Gayatri Uppal, Ecology + Public Arts Co-ordinator
Hemant Sree kumar, Programme Coordinator / webmaster
Manoj VP, Finance and Administration Manager / webmaster
Mayank Rai , Design Consultant
Parul Wadhwa , Operations Manager
Pooja Sood, Director
Ramesh Bisht, Officer Agro
Rohini Devasher , Institutional and Editorial Coordinator
M.K. Saranjit , Audio Visual Co-ordinator

FAQ'S

1.WHO ARE WE?

Established in 1997, KHOJ is an artist-led initiative. KHOJ sees its role as an incubator for experimental art and ideas, artistic exchange and dialogue. KHOJ is part of the global Triangle Arts Trust.

2. WHERE ARE WE?

KHOJ sits on the edge of Khirkee Village very close to Malviya Nagar situated in the south of Delhi, The 5 KHOJ Studios serve as gallery spaces and artists studios.

A working group of artists who came together in October 2005 after detailed discussion with members of KHOJ Delhi with a view to energize and extend the available inputs from within the local artistic scene.


3. WHAT ARE OUR AREAS OF INTEREST?

We are most interested in work that engages new approaches to subject matter and media. Our current areas of interest are new & multi media, installation, performance art, sound and sonic art, public and community based art projects and experimental theatre.


4. WHAT DO WE DO?

KHOJ actively assists, develops and promotes new investigative and experimental art practices in all media through programs that include:

5. HOW CAN YOU BE A PART OF OUR PROGRAMS/ACTIVITIES?

KHOJ welcomes participation in our events and programs. Please check the relevant programs for details.

Our website also provides additional opportunities for online interaction via:

6. ARE WE OPEN TO INDEPENDENT APPLICATIONS AND WHAT ARE THE APPLICATION PROCEDURES?

KHOJ welcomes applications/proposals from creative practitioners, particularly those interested in interdisciplinary / experimental practice. Artists working in all media are invited to send in proposals. Since we have limited resources all applications cannot be realized. Short listed proposals will be reviewed by KHOJ.

7. WHAT FACILITIES/SUPPORT DO WE OFFER?

The KHOJ Residency provides six weeks access to Studio facilities and restricted equipment, which include, 5 guest studios for artists, 4 on the first floor and 1 on the ground floor for artists of all mediums to work in.

KHOJ provides accommodation for out of station artists at the KHOJ guesthouse, which is a 3 bedroom flat with attached bath and a small self-catered kitchenette, which is 5 kms away from the studio building.

KHOJ facilitates outreach activities during the course of the residency that may take the form of workshops and talks with students and other artists.

Artists are encouraged to raise funding to cover their residency in New Delhi, KHOJ is committed to helping raise funds for artists from South Asia and from those countries that lack funding structures.