Anusha wanted to carry forward her experimentation combining performance and new media. By the second week, among all the participants Anusha, had the most clearly formulated notion about the display she wanted to put up. She wad already shot a rendition of the Japanese ˜dance of womb" (by Lee Swee Keong, an Malaysia based artist) and was deciding a display strategy wherein the recording of the dance would be sound edited to traditional Sufi music and reflect-projected on the ceiling. Instead of "performing" in the traditional sense, Anusha takes great delight in creating sites wherein the audience is made to perform (and in that sense her work has begun to occupy the transient space between ˜live" and "space" art). Anusha wanted to design her space in a manner that that the image of the audience would be caught by a camera and transferred on to a screen and transferred on a screen (via a DVD projector) and each person entering the space would get to see the images of the people visiting the space before, thus being (suddenly) being made aware that he/she would be viewed by the next person entering thereby imposing the "performative" onto the audience. She also wanted to capture and simultaneously project the audience as she/he was leaving the room creating an illusion that that the person is entering the room just at the point when she/he is actually leaving.
Anusha's installation was so big in scale that it could not be accommodated inside the KHOJ building. Luckily her studio was right next-door and big enough to accommodate the structure necessary to execute the installation. One entered through a narrow circular space, and came across 15-inch monitors, showing all the residency artists doing a performance piece inside the constructed space. Then one would step into a big domed enclosure, where dance of womb "Lee Swee Keong" "dance of the womb" was reflected off a water container and projected on the dome. In front one could see a blue projection screen, and as one approached the exit door one could see a projection of their image projected on to the screen. It was a highly poetic construction of space primarily using video imagery.